List of composers

Classified index of works

CHAMBER MUSIC

  • Limits, for flute, oboe and viola (First performance-Utrecht-February 1990)
  • Unbearable Attraction, for wind ensemble (First performance-Utrecht-May 1990)
  • Quasi improvvisazionne, for solo clarinet (First performance -Utrecht-May 1991)
  • 3 Songs on Dylan Thomas, for soprano viola and piano (First performance-Utrecht -May 1991)
  • Oracles, for string quartet, wind quartet, piano, harp, percussion (First performance-Utrecht-February -1991)
  • Offering, for Organ (Request of European Festival of Organ-First performance-Utrecht-July 1992)
  • Attractive Moralities, for wind ensemble, piano and double bass (Request of Utrechts Blazers Ensemble, First performance-Utrecht-October 1992)
  • Errance, for soprano and piano (First performance -Utrecht-May-1993)
  • String Quartet (First performance-Utrecht-May 1993)
  • Leugens, for two fifes, clarinet, viola and piano (Request of the Dutch Fife Festival-First performance-Utrecht-May 1993)
  • Psalms, for cello (First performance-Bern-April 1994)
  • Aquarel, for fife ensemble, SATB (Request of the Dutch Fife Festival-First performance-Utrecht-May 1994)
  • Pas de deux, for alto saxophone and guitar (6'30) (Request of Duo Cuipers-Malo, First performance -Barcelona-January 1997)
  • Monomania, for a violin and a piano (Request of Narkisos musical ensemble-First performance-Athens-April 2001)
  • One movement, for string quintet ( Request of Nikos Skalkotas musical ensemble, First performance -Athens-April 2001)
  • Euro, for a clarinet and a piano (Request of European Concert Halls Organisation-First performance-Athens-December 2001-Athens Concert Hall)
  • September, for a soprano saxophone (First performance-Salonica-May 2002)

MUSICAL THEATRE

  • The Sofa, for soprano, tenor, baritone and musical ensemble (Request of Music Theatre Group Amsterdam, First performance-Amsterdam-September-1998)
  • Tabasco, for a bassoon, a cello and a piano (Request of Palmos (Vibration) musical ensemble, First performance-May 2001)
  • Rainbow for Rimbaud, for tenor, soprano and musical ensemble (Request of BASHO musical ensemble, First performance-Amsterdam-February 1999)
  • Johnnie BUY, for four fifes (Request of BRISK musical ensemble, First performance-Amsterdam-April 2000)
  • Kavafis, for a narrator and musical ensemble (Request of BASHO musical ensemble, First performance-Chroningen-March 1997)
  • Medea, for soprano, clarinet, 2 narrators, percussion and taped music (First performance-Utrecht-May 1991)
  • Les maux d'amer, for soprano(First performance-Utrecht-May 1991)
  • The apology of Socrates, for baritone, 3 tenors, soprano and musical ensemble (Request of Athens Concert Hall, director: Victor Arditis, First performance-Athens-January 2000)
  • PH, for the piano (Request of the Artery musical theatre group, First performance- Amsterdam-October 2002)
  • The pundit women, for 10 actors, flute, bassoon, and cembalo (Request of OPERA musical theatre group, First performance Athens-May 2001)
  • Look at me, for 8 actors, electrical bass, electrical guitar, drums and synthetic sounds (Request of OPERA musical theatre group, First performance-Athens-October 2002)

WORKS FOR CHORUS

  • Erotic, for a narrator and mixed chorus (Request of Koor Nieuwe Muziek, First performance-Amsterdam-December 1996)
  • Agnus Dei, Communio, Libera me, for mixed chorus (Request of Copenhagen,Cultural Capital of 1996, First performance-Copenhagen-September 1996)

WORKS FOR ORCHESTRA

  • Algos (Suffering), for violin and orchestra (First performance -Amsterdam-September 1997-Orchestra of Amsterdam Opera)
  • Colorings, for symphonic orchestra (Request of the European Centre of Occupational Orientation, First performance-Salonica-November 2000-National Symphonic Orchestra of Salonica)
  • A walk at the Underworld, for soprano, children chorus and orchestra (Request of the Orchestra of Colors, First performance- Athens-October 2000)

MUSIC FOR DANCING

  • Anathema (Damnation), for electronic flute and voice (Request of the Stuttgart Ballet, choreography:Roberto de Oliveira, First performance-Stuttgart-December 1996)
  • Orpheus, for symphonic orchestra (Request of the Stuttgart Ballet, choreography:Roberto de Oliveira, First performance-Stuttgart-April 1996)
  • Regmina, for electronic music, flute, oboe, voice, double bass, cello and marimba (Request of Athens Concert Hall, choreography: Mary Tsouti, First performance-Athens-April-2000)
  • Helen, for cello (Request of Marc Bruce Dance Company, choreography:Marc Bruce, First performance-London-May 1995)

MUSIC FOR THE THEATRE

  • Gertrude (director: Nikaeti Kontouri, Theatre of Kefallinias street, October 1997)
  • Before departure (director: Stathis Livathinos, Theatre of Kefallinias street, October 1998)
  • Fire on the face (director: Eleftheria Sapountzi, Theatre of Kefallinias street, May, 1998)
  • Don Juan is returning from war (director: Dimitris Katalifos, Embros Theatre, November, 1998)
  • The romantic men (director: Stathis Livathinos, Municipal Theatre of Patra, December 2000)
  • The infertile struggle for love, (director: Stathis Livathinos, Experimental Scene of the National Theatre, April 2002)
  • Cirano (director: Nikaeti Kontouri, Municipal Theatre of Patra, March 2003)